Shakespeare’s most famous stage direction–exit, pursued by a bear–seals the fates of just about every character in The Winter’s Tale:
- Antigonus, who is gobbled up
- Perdita, left in a strange place with no human connection to her birth
- Leontes, who already regrets abandoning Perdita but now has no way to find her
- the shepherd and clown, who are enriched by finding and raising her
- Florizel, who later falls in love with her
- Polixenes, who disinherits him for it but later reconciles with Leontes on account of it
Exit, pursued by a bear–it sets up for tragedy, but it also sets up for comedy. In what other genre can a man being chased by a bear eventually bring about resolution to a 16-year breach of trust?
October 30, 2008 at 9:01 pm
[...] can’t tell you just what the bears are for.” Obviously, they’re for stage direction. Because really, no one has used that [...]